THE HANDSTAND

MAY 2007


70 YEARS SINCE THAT FATAL DAY, REMEMBER GUERNICA

The attack, was the first use of what came to be known as total war. This put civilians, not just soldiers, in the front line; targets who were as legitimate as armed combatants. It has come to be an integral part of war since.

 

Nazi Germany, like Fascist Italy, was officially not involved in the war and both had signed a non-intervention pact. But it was widely known the German and Italian forces had been arming Franco's Nationalist troops.

At Guernica, the Luftwaffe and planes from the Italian Aviazione Legionaria had their first chance to see action in Operation Rügen, which was to prove a dress rehearsal for the Second World War. Led by Generalfeldmarschall Wolfram Freiherr von Richthofen, the Condor Legion launched a series of low-level attacks on the small town of about 5,000 people. The carpet bombing created a firestorm in which the townspeople were burnt alive. Only 1 per cent of the town's buildings were said to have survived - most of them were on the outskirts.


The raid was not a strategic success. Two arms factories were untouched, as was the main bridge. The tree of Guernica, where the Basque parliament had traditionally met, and which symbolises Basque independence, also escaped without a scratch.

Von Richthofen later said that the attacks were a failure militarily. What he could not have reckoned with was the political fallout which the raid would cause worldwide. George Steer, a British journalist who worked for The Times, revealed to the world proof the Nazi regime had led the raids, breaking the non-intervention pact. He discovered three small bomb cases stamped with the German imperial eagle; it was proof enough to condemn Nazi Germany and cause Franco's Nationalists huge embarrassment around the world.



Hundreds of miles away in Paris, Pablo Picasso read about the massacre and was outraged. He immediately decided to change a canvas he was painting for the Paris Exhibition and the result was Guernica, the masterpiece which has come to symbolise the barbarity of war.

Picasso's Guernica occupied pride of place in the Republican Spain pavilion at the Paris Exhibition of 1937, reminding the world what had happened days before in the town. Picasso, who died in 1973, refused to let Guernica return to Spain during Franco's dictatorship. It finally returned in 1981, six years after El Caudillo's death, and hangs in Madrid's Reina Sofia Museum.

Guernica is now at the centre of a new row, as Basque nationalists want the painting to be returned to the place which inspired the canvas. Though they do not expect this internationally famous canvas to be exhibited in Guernica, they claim it should hang in Bilbao's Guggenheim Museum.

The plan has been opposed by the Spanish government, which has claimed Guernica is too fragile to be moved again. Instead, as a goodwill gesture, the Spanish government is to send up to 30 sketches that Picasso used to paint Guernica which will go on show at the Guggenheim to mark the anniversary of the bombings.

Thirty Spanish artists are also to mark the anniversary with a major exhibition in Guernica dedicated to the events which took place 70 years before. Among the artists are Juan Lui Geonaga and Ińaki Ruiz de Eguino. They will attempt to interpret the original vision of Picasso's mural in a series of paintings and other works.
massacre coree



GOYA